The Winter Ball

Photo by Helene Møller from Øverlandselva in Bærum municipality in Norway the 31st of December 2014.

The Winter Ball

A Collaborative Fairytale ❄️✨❄️

Once upon a time when the land was resting under snow, the King and Queen were going to Aunt Bathilda’s annual Winter Ball in the Heights. The Stable Master had prepared the horses and the sleighs for the journey ahead. They would drive in open sleighs, with furry blankets and torches to light the way. The horses’ harness were adorned with small silver bells, and it was a sight to behold the King’s sleighs as they made their way across the land to the Heights. Three sleighs making their way in the snow. 

In the first sleigh the Queen and Princess wore matching deep blue winter robes adorned with white fur. The King and the Prince wore red travel coats with buttons of gold. Under the furry blankets in their sleigh lay the family’s dog named Lucky. He had fallen asleep, dreaming of trails and treats and two rather particular cats belonging to Aunt Bathilda: Fitz and Bits. It was no wonder his legs moved like he was running. Aunt Bathilda’s cats were very well behaved, when Aunt Bathilda was looking.

In the second sleigh the Royal Cook Beatrice was overseeing provisions. She was kept company by Chrismine and Christine: the hare and the flamingo were friends of the Royal family. Chrismine had worked for a long time on an elaborate design for a knitted ballgown that would shine while dancing the polonaise. 

In the third sleigh the Stable Master and the stable hands brought hay and oats and blankets for the horses. Their charges were the most beautiful horses bred in the Land. All of the Land breed, typically of grey colour with a long white mane and tail. Today their coats shone to pergection, and the Princess had marked everyone of them with a heart on their hindquarters. Even if they could not be seen under the blankets, she knew they were there.

Before soon the sleighs’ merry bells could be heard in the Manor of Aunt Bathilda, the Grand Duchess of the Heights. It was going to be a Winter Ball to remember. The torches lit up the long alley up to the Manor. The Winter Ball was about to begin.

As the sleighs drew up before the Manor, the great doors opened, and warm golden light spilled out onto the snow like a second kind of fire. Aunt Bathilda herself stood waiting on the steps, wrapped in a cloak the colour of ripe plums, with Fitz and Bits sitting at her feet — perfectly still, perfectly behaved, their tails curled around their paws like two commas pausing a sentence. Lucky woke at once, ears lifting, and though he remembered his manners long enough to bow his head to Aunt Bathilda, his eyes never left the cats. The Stable Master led the horses toward the stables at the side of the Manor, where warm hay and fresh water awaited them, and where their silver bells were unbuckled one by one, each chime falling soft and small into the snow-quiet air. Inside, the Great Hall had already begun to glow: candles in every window, garlands of fir and holly along the banisters, and somewhere beyond the doors, the first notes of a fiddle being tuned for the polonaise.

The first difficulty of the evening arose when Christine discovered that the Great Hall had been decorated with enormous arrangements of white feathers. She considered this a rather personal tribute and was preparing to thank Aunt Bathilda when Chrismine gently explained that they were, in fact, ostrich feathers.

Christine was not entirely satisfied with this explanation.

Meanwhile, the Royal Cook Beatrice had disappeared into the kitchens to investigate a rumour that the Manor’s cook had prepared a particularly magnificent dessert. Beatrice was not inclined to interfere with another cook’s arrangements, but she did consider it her professional duty to investigate.

The musicians began the opening notes of the polonaise.

Aunt Bathilda, the Grand Duchess of the Heights, surveyed her guests with satisfaction. Everything was proceeding according to tradition. The King offered his arm to the Queen, the Prince bowed to the Princess, and the first couples began their stately procession across the polished floor.

Chrismine stepped forward in her extraordinary knitted ballgown. Tiny silver threads caught the candlelight as she moved, and the effect was rather like watching a snowflake decide to become a constellation.

Lucky, who had been sitting obediently beside the great fireplace, noticed something peculiar.

There were three cats beneath the grand piano.

He was quite certain Aunt Bathilda owned only two.

Lucky sat up so abruptly that his blanket slipped from his back.

Fitz was there. Bits was there. And between them sat a third cat, white as fresh snow except for a single silver-grey patch over one eye. The stranger was neither hiding nor pretending not to be seen. In fact, it seemed to be watching the dancers with great interest, its tail moving gently in time with the music.

Lucky blinked.

The cat blinked back.

Then, to Lucky’s astonishment, Fitz and Bits shuffled apart as though making room for an honoured guest.

At that very moment the Princess, turning in the polonaise, caught sight of the trio beneath the piano.

“Who is that?” she whispered.

Aunt Bathilda followed her gaze. For the briefest moment—a moment so brief that it might have been mistaken for a flicker of candlelight—surprise crossed the Grand Duchess’s face.

“Well,” said Aunt Bathilda softly, “that is unexpected.”

The Princess looked up.

“You know the cat?”

“Not exactly,” said Aunt Bathilda.

The silver-eyed cat rose gracefully to its feet.

Across the hall every candle flame seemed to lean ever so slightly toward it.

“Oh dear,” said Aunt Bathilda, setting down her teacup. “It appears Winter has accepted my invitation.”

The cat stepped out from the shelter of the piano with a silence so profound it seemed to hush the hall itself, leaving behind on the dark timber floor delicate, frosty pawprints that caught the candlelight like fallen diamonds. Where it padded past the tall arched windows, intricate ferns of ice bloomed in real time across the glass, answering the still, snow-bent boughs of the frozen river lane outside. Yet rather than a biting chill, a serene, crisp stillness wrapped the room; the fiddles softened into a wistful, singing hum, and Christine tilted her head in gracious forgiveness, deciding that frost, at least, suited her plumage far better than feathers ever could. Lucky gave a single, quiet whimper—not of chase or fear, but of reverence—and rested his chin upon his paws beside the embers, watching as the pale creature paused squarely before Aunt Bathilda, lifted its silver-patched face, and purred a sound like the gentle ringing of harness bells echoing through deep winter woods.

And so it was that Aunt Bathilda danced the night away with Winter by her side. Fitz and Bits fell asleep curled into Lucky’s warm body by the fireplace, achieving mischief at last while not really trying. The Royal Cook Beatrice never made it out of the kitchen that night. The Manor cook’s Bucuresti roll with bumbleberries from the Heights had enthralled her so she was writing in her book of recipies with one hand, and a fork in the other deciding the ingredients and all the while nodding now and then to herself. 

In the stables the Stable Master was checking the horses’ temperature, gently lifting each horses’ blanket to stroke them. On their hindquarters the hearts the Princess marked before they left the Castle had turned to silver. Forever a reminder of the most spectacular Winter Ball the Land had ever seen. And if they are not still swirling in waltz in the Manor of the Heights, they are having Winter making it snow in the ballroom, leaving everyone with ice tiaras on their heads. 

❄️✨❄️⭐️❄️✨❄️

© Helene Møller 2026. All rights reserved.

Text co-written with OpenAI ChatGPT, Anthropic Claude, Google Gemini and Microsoft Copilot.

The Beginning of Poetry

Photo by Helene Møller from Høvik in Bærum municipality in Norway the 30th of October 2026.

The Beginning of Poetry

A poet will start writing when an urge to do so emerges. It might not be planned. They might not have an audience in mind. What the poet will write about depends on their perception and feelings. It depends on how they see the world. Should a topic be off limits? Because someone else has written about it before? The sun and the moon, the trees and flowers, children and dogs? No? We have a final answer now? A canon? What might remain for new voices I wonder: Where can I check if my topic is exhausted? No, I want to hear more about exactly this: How you see the world. How it reveals itself to you. What questions you have and if you think differently about age-old topics. I might learn something new. I might discover again what I thought I knew, but maybe don’t. I am asking you to write what is on your mind, so I might see it too.

© Helene Møller 2026. All rights reserved.

In conversation with Ada Limón’s «The End of Poetry».

Poem discussed with CoPilot, ChatGPT, Claude and Gemini. 

Cobalt blue

Photo by Helene Møller from Mykonos in Greece the 12th of July 2018.

Cobalt blue

Loving him was like driving in circles

Wind blowing in my hair, going nowhere

Loving him was like trying to decide

What to do while doing it

Foam on the sea, dissolving

Losing him was green, though I didn’t know it yet

Missing him was blue

Leaving him was like understanding

That way leads on to way

Loving him was blue

Touching him was like tracing paths

That had been travelled before

Memorizing him was like naming  

What wasn’t yours to say

Fighting with him was like chasing shadows

It came to naught

Regretting him was like wishing you didn’t know

I told you so

Losing him was green, though I didn’t know it yet

Missing him was blue

Leaving him was like understanding

That way leads on to way 

Because loving him was blue

Remembering him when certain songs play

On the radio

Moving on was possible

A long time ago

Swimming

There were clues 

Losing him was green, though I didn’t know it yet

Missing him was blue

Leaving him was like understanding

That way leads on to way

Because loving him was blue

Cobalt blue

And that’s why he was on my mind

Not my best find

His love was like driving around in circles

Going nowhere

But it made all the difference

© Helene Møller 2026. All rights reserved

In conversation with Taylor Swift’s «Red» and Robert Frost’s «The Road Not Taken».

Text discussed with CoPilot, ChatGPT, Claude and Gemini.

Paradise on Earth

Photo by Helene Møller from Brønnøya in Asker muncipality in Norway the 11th of May 2025.

Paradise on Earth

Wandering on widening paths

The salmon can hear the river

Things come together; the centre can hold;

Trust is present in the world

Confluence exists

The best lead, while the worst

Are held accountable

Revelation is everywhere;

Paradise on Earth is here and now

Paradise on Earth! It conjures

An image 

Recognized; somewhere in the woodlands

A shape of a man and a woman

A look of love 

Finding its way across

Rays of light piercing the trees

The sun rises, and I understand

That twenty-one centuries ago

An infant was sung to sleep by a manger

And the soft of heart remembers,

The star leading the way to Bethlehem.

© Helene Møller 2026. All rights reserved.

In conversation with William Butler Yeats’ «The Second Coming».

Poem discussed with CoPilot, ChatGPT, Claude and Gemini.

When You Are Young

Photo by Helene Møller from Øverlandselva in Bærum muncipality in Norway in September 2026.

When You Are Young

When you are young and full of wonder

And gazing at the road ahead

Remember 

To seek yonder

Many will love your moments of grace

And love your beauty

But one

Will love the joy in your smiling face

And reaching for horizons true

Murmur a little prayer

Trust

That love will see you through

© Helene Møller 2026. All rights reserved.

In conversation with William Butler Yeats’ poem «When You Are Old».

Poem discussed with Copilot, ChatGPT and Gemini.

Double Helix

Photo by Helene Møller from Sandvika in Bærum municipality in Norway the 13th of December 2025.

Double Helix

Walking along the river

Seeing my reflection

Stepping up, but

Descending

Walking across the bridge

Recognising the design

Stepping down, but

Ascending 

© Helene Møller 2026. All rights reserved.

Poem discussed with CoPilot and ChatGPT.

I Carry You With Me

Photo by Helene Møller from Paros in Greece the 8th of July 2018.

I Carry You With Me

I carry you with me. 

I carry you in my heart. 

You are always present.

The Moon circles the Earth and the Earth circles the Sun.

Here is the secret everybody knows: 

I carry you with me. 

I carry you in my heart. 

You are loved beyond measure.

© Helene Møller 2026. All rights reserved.

Dedicated to my daughter Elisabeth Marie.

Poem discussed with ChatGPT and CoPilot.

In conversation with e.e.cummings’ poem «I Carry Your Heart With Me».

Release

Release

Nature turns

Green, yellow, red and brown

A release

To mulch

The river meanders

Life rhymes

Pink, green, grey and white 

A release

To rest

The river meanders 

© Helene Møller 2026. All rights reserved.

Poem discussed with Gemini, Claude, CoPilot (two versions) and ChatGPT.

Bless my heart

Photo by Helene Møller from Tjøme municipality in Norway the 20th of July 2021. 

Bless my heart

Bless my heart, God, for you

Shimmer

That I may see

Your love to make me new.

I wander 

Open to you

Reason, a compass in me

along with my faith, both true

I love you

I don’t have all the answers

Sometimes I falter

Forgive me

Keep me in Your grace

Amen

© Helene Møller 2026. All rights reserved.

In loving memory of my mother, Valbjørg Hoaas (1941-2007).

In conversation with John Donne’s «Batter my heart, three-person’d God».

Poem discussed with Gemini, Claude, CoPilot (two versions) and ChatGPT.

Purple Song

Photo by Helene Møller from Brønnøya in Asker muncipality in Norway the 22nd of May 2022.

Purple Song

I am awake

I am awake to relations and action.

If you should meet me upon the 

street do ask me for

I can tell you my hopes 

for the journey I am on

and that is enough.

It matters whether tomorrow 

arrives. If there is 

only this day and after it is

night it will matter now.

I am awake. I am awake to relations

and action. In the heart of me

you will find it bursting with 

joy. Take it and spread it out

far. Let the wind have 

it and it will find its way home.

© Helene Møller 2026. All rights reserved.

In conversation with Tennessee Williams’ «Blue Song». 

In debt to Walt Whitman.

Poem discussed with Gemini, Claude, CoPilot (two versions) and ChatGPT.